TADS2 bin
v2.2.0 Mon Sep 01 01:48:06 2003
XSI: ?@OBJ MO dr N | N \ N N ! } closed. N ! N N MO locactorvobj N D N
N ~ D
y N ! N N %You% can't reach from . N *N N llMO list O cnt tot i obj jN 9 N : N = @ N > N F + O scN J 6 N K 8 N M @ N N 1 N O N P N S N U N V N W N X N Y x x MO obj1obj2 N " 6 6 E E% E E N & MO
cnt N e N f one two three four five six seven eight nine ten eleven twelve
thirteen
fourteen fifteen sixteen seventeen
eighteen
nineteen twenty@ N k N l 8 8 MO
obj N \ N ] L L MO objdepth N q U U N r
MO
obj O list i totN N N N 9 N @ N N N d d MO parm N N > N > > N MO l O tot i c totweightN N N N N @ N N N
N N wN
N
MO list O$ i tot totbulk rem curN N ! N " N # d N % @ N & N ' N ( N ) N * N + T T MO
amount N 8 > N 9 > > N : X X M N : You stumble around in the dark, and don't get anywhere. N M N { In a total of > N | ' turns, you have achieved a score of N } > points out of a possible N ~ > .\nN 0 0 M N \bExit complete.\nN N h h M N 7 ***\bYou wake up some time later, feeling refreshed. N N \\M O oN P " N Q ! N S ( N T q N U ( N V 8 N W % N X N Y " ! N Z /N \ N ] # & N ^ ŕ # ! N _ MO
obj O ret i lst lenN k N n " D " E | ~ N q N r N s N t ! N u @ N v N x N y 0 0 MO parm N " { N M O ret html_modeN @ " E @ N & N N N N N N H H MO x N N h
h
h d C 7 9 g X ] X ^ MO objflagsindent O< i count tot list cur disptot prefix_countN" K N" N" N" T o O " contvisN " D " E | D N N N N" Z N" N" N" 5 N" N" N" N" N" N" N" @N" @ N" N" N" + O " before after
j scN 6 N
z N
@ P N
' N N 4 N N N N
N N N N N" T V O " jNG \nNG NG \t NG N"
p N" N" , = N"
N" and N" , and N" N" N" N" , N" 1 N" ! N" " N" # N" & N" ' (being worn)N" ( E N" ) (providing light)N" , N" 3 T E N" 9 T d N" ; + N" < (upon which %you% see%s% N" > (which contains N" ? N" B N" E T N" F )N" G N" H N" I N" J
W M N
< | M N < | M N < < } N < | - N open. N ) N @ N closed. N X " N ) N N | j MO actor N
! < | > N
# < !< } already open! N
$ N
% MO actor N}( < > N}*
Opening < reveals . N}+ N}-
Opened. N}. " | N}/ m MO actor N2 < | @ N4 < !< } already closed! N5 N6 A MO actor N9
Closed. N: ! | N; e MO actor N> < | 8 N@ < !< } closed. NA NB _ MO actor N9F < | E X " & N9G \^!< closed. N9H +& MO actor NI < MO
obj N { N } g N G N
Sitting on is N . N N N E
N N seemN : sN to contain N N . N N N E
N N MO
obj O list i tot thisobjN N N N q N @ N E E
N N N N sN @ @ MO pointsturns N ! N ! H H MO pointsturns N / N " # $ MO objactor O ret i lst lenN N ! N N " D " E | D N N N N D N @ N @$ N N C E C
N C $ N N N % , , MO
obj N [N ls& MO fname N KN N > > N
Restored.\bN " C
N " N N / The saved position file could not be opened. N ! N N 4 This file does not contain a saved game position. N ! N N b This file was saved by another version of TADS that is not compatible with the current version. N ! N N w This file was saved by a different game, or a different version of this game, and cannot be restored with this game. N ! N N An error occurred reading the saved position file; the file might be corrupted. The game might have been partially restored, which could make it impossible to continue playing; if the game does not seem to be working properly, you should quit the game and start over. N ! N N ! N N Restore failed. N ! N 7 e Q \ N ' 00MO newPlayer N C N
N C ! E C
! N C C
N ! E
! N
N meC C 1 N ! myselfC C 1 N $ B N ' meC 0 N ( myselfC 0 N ) ( << < </ MO n N > M N ? [ " MO av NW @ 0 MO avn O
objN E ! N F < N G < N H ! N I Z N J N K #% N L N M MO n NDN " # MO avip NhQ < ! ^ NhS ? %You%'ll have to be more specific about which one %you% mean.NhT *NhU NhV " 7 MO avdp NW <# ) *
) in out of B M N u <
N v <
N w ! N x C M N { !<
, !< !< N | a MO verbosity N < N < N < N <
N Y MO
obj N) <
! D < N) ) N) <
N) MO# actorvdobjprepio N ! E < E + N N ! E < E , E - N N G N Y MO otherRoom Nf %You% can't reach that from !< . Nf + ` inspect B MO actorobjseqno N( N( . 0 , ` ask b 8 MO actorobjseqno N, ! . b 0 - 4 ` tell b 8 MO actorobjseqno N- ! i MO actorprep Nq b Nq ! Nq
Nq . b 0 .
2 E MO actor N9 d
%You% can't have < . N9 e
4 MO actorio N h
< N i
E MO actor N l
%You% can't drop < . N m
4 MO actorio N p
< N q
R MO actorio NCt
%You% can't put <
anywhere. NCu
R MO actorio Nx
%You% can't put <
anywhere. Ny
E MO actor N|
%You% can't move < . N}
Q MO actoriobj N>
%You% can't throw !< .N>
/ 5 M N < > N On < %you% see%s% . N 4 N There's nothing on < . N N MO actor N j: MO actordobj N N + MO actor N 3 MO actor N@ < > N@ On !< %you% see%s% ! . 0 N@ There's nothing on !< . N@ 0 1 0 bed on out of f MO actor NH Okay, %you're% now lying on !< .NH NH 2 0. . . MO actor N u ~ N w 3 %You% throw your knife and it sticks squarely in < N x K . You retrieve your blade after examining the impressive mark you made. N y N z
: MO actordobj N } N ~ 4 1 1 E
2 Q MO v NU 9
<
NU :
<
NU <
" NU =
o MO vdpi N @
\^!< !< n't appear interested. N A
*N B
~ ' MO
obj N!C
M6 M N F
\^!< , is here. N G
MO item NJ
\^!< !< } carrying ! and won't let %youm% have ! . NL
lK MO actor NO
But !< is right here! NP
& N MO
obj NkS
< m NkT
<
< m& NkU
)& NkV
p 6 M N X
<
he < she it q 8 M N Y
< his < her its r < M N Z
< he's <
she's it's s 7 M N [
< him < her it t < M N \
< he's <
she's it's u sv esw hasx doesy isz M N b
< n' MO wordlst NJc
! % MO actoriobj Nwd
PMO actoriobj O lst i totNi
/ Nj
Nk
E, @ it them him her ! D @ Nn
"Could you be more specific?"No
Np
Ns
8 Nu
@<n Nv
Nw
Nz
< oN{
o ! ! "I don't know much about that." d MO actor N
! If you want something given to !< , just say so.N
p] MO actor N
0 N
$ That wouldn't accomplish anything!N
qS MO actordobj N
\^!< rejects the offer.N
`MO room O( E old_loc_visible new_loc_visibleNT
! E r NT
sNT
! NT
NT
<
! E <
C NT
C NT
C
! E C
E E NT
< tNT
<& NT
C
! E C
E E NT
< uNT
tO M N
<
IN
\^!< leaves the area.N
uO M N
<
IN
\^!< enters the area.N
* v
Zw
[x
\y
]z
`{
a|
b}
c~
d
e
^
_ 5 , * * * 2 6 $$ $ $5 , MO actor O
% waslitN5 n
N5 q " -N5 r " N5 s %You% switch%es% on !< N5 v
E H N5 x , lighting the area.\bN5 y
N5 z N5 | .N5 } 7 5 +} MO actor N F %You%'ll have to be more specific about how %you% want%s% to search !< . N .MO actorlist O found dest i totN < /: N N N ) N N !N N N @ N N N < 0 N
N %You% find%s% N N N N @ , N N , n N E N and 9 N E
N , and N @& N N N < 0( N , which %you% take%s%. N ! N ! E N !N N / 0 8 7 MO actor N!
1 MO actor NE
< 6 NE
There's nothing under !< . f NE
< ! ; NE
There's nothing else under !< . NE
< <. NE
9 7 MO actor N!
2 MO actor NE
< 7 NE !
There's nothing behind !< . g NE "
< ! < NE #
There's nothing else behind !< . NE %
< <. NE &
: 7 + MO actor N! 8
3 MO actor NE ;
< 3 NE <
There's nothing in !< . c NE =
< ! 8 NE >
There's nothing else in !< . NE @
< <. NE A
G MO actor ND
< D < ! NE
) NF
4c MO actor N\I
< D < ! N\J
)4 N\L
< <. N\M
; 5 MO actor N
5, MO actor N=
< N=
M N
< N
< 5 / MO actor N
< N
6h MO actor NN
That was delicious! NN
> 7< 8 7NN
!<& NN
8 M N
> 9 = . : ;
< M N
< N
+ can be turned to settings numbered from !< : to !< ; . \^!< currently set to !< < . N
MO actor N
=* MO actor N
-? N
# MO actorio N7
>MO actorio N`
+N`
> < :D
> < ;
3 N`
There's no such setting! N`
N`
> < < g N`
> <N`
Okay, !< now turned to N`
< < . N`
M N`
\^!< already set to N`
< < ! N`
N`
K N`
I don't know how to turn < N`
to that. N`
N`
? ` to @ . ? MO actor N
@ MO actor N=
< - -N=
Okay, < !< } now switched N=
< - N=
on N=
offN=
. N=
MO actor N
E ~ " N It's pitch black.A N < -1 N \^!< already turned on! N
,\ MO actor N
" -N Okay, !< now turned on. N _ MO actor N < -2 N \^!< already turned off! N A] MO actor NV ! -NV Okay, !< now turned off. NV A LI I I) M O rem cur tot iN < f N " N > g N N N c N @ N E N " N N N ! N MO# actorvdobjprepio N" < E
h= N" %You% can't see a thing. N" *N" N" ) N" H M N < N ) N In the dark.N _ MO verbosity N < N ) N It's pitch black. N T M N < N ) & N N ! N N y MO v N < D h N " 7 N It's pitch black.\nN ! N N C 1 # ground It lies beneath %youm%. , the ground on off of
N M N C
N < i N C
N y MO actor N Okay, %you're% now sitting on < . N
iN & N E5 MO meActor NL
iNL / MO actor N < N j9 MO actordobj N N k9 MO actordobj N N
Q MO actordobj N:
Thrown. N:
& N: D . 4 E W F HH H HD M N < N M N < !< } no longer here. N , MO vdpi N < * M M N l MO actor N
7 MO actor N
<
N # MO avip NC G U NC \^!< !< } no longer here.NC *NC NC " p MO avdp N \^!< !< } no longer here.N *N G | ; ; ; ` follow. l 0 H M N ; N # You appear to be an Aquatic Elf. N ON G N / You couldn't be more prepared for Adventure. N N ) N We got issues. N N I N 1 You are dressed in the official summer attire. N c N 0 N You look like a grit. N " N
You naked. N N F I DD D D. : M N \^!< !<
important. # MO avip NY + H NY \^!< !<
important.NY *NY NY " c MO avdp N \^!< !<
important.N *N J . # MO avip N , E - E + > N \^!< too far away.N *N N " 7 MO avdp N <# K < : : : . MO actor N L 4 5 b M N < C N (Taking off < first)\nN ! N N 8 MO actor N < N ) N = MO actorio N < N ) N = MO actorio N < N! ) N" = MO actorio NE% < NE& )NE' = MO actorio N* < N+ ) N, = MO actorio N/ < N0 )N1 8 MO actor N4 < N5 )N6 & 7 MO
obj NL> ! NL? )& NL@ p MO actor NC < E < : NE %You're% already wearing < ! NF NG MO actor NQ <
z NT (First taking !< )\nNU M I NV *N\ <
N] *N^ Na Okay, %you're% now wearing < . Nb " Nc n MO actor Nf < D
< 6 Nh %You're% not wearing < . Ni Nj MO actor Ncn
<
o Ncp %You% could drop !< + , but %your% hands are too full to carry !< . Ncr Q Ncv # Okay, %you're% no longer wearing < . Ncw ! Ncx Ncy N MO actor Ng| < Ng} < Ng ) Ng N MO actor N < N < N ) N M 0 ` take
^MO actorprepio O9 % ret rem cur rem2 cur2 tot i tot2 jNA = NA D p D o D n D i D k E ! NA H NA I NA J NA K c NA M @ NA N E < NA O NA P NA Q NA R NA S NA Z
NA [ NA \ NA ] NA _ @ NA ` NA b E | D
E
NA e NA f NA g NA h t NA j @ NA k E
NA m NA n NA o NA p NA q NA r 3 NA s NA u NA v NA x NA y wNA z NA { . a o 0 p Dk L Tn `i `>2 N r O
. N s M N < | N < N < E < R N "<N (Opening !< )\nN < N ^ N %You%'ll have to open !<
first. N N ! N N MO actor N < | / N \^!< already open. 6 N < & N \^!< locked. N g MO setting N | N < ! E < | N < N g MO setting N" N" < ! E < N" < N" A MO actor N
Opened. N "<N [ MO actor N < | . N \^!< already closed. N A MO actor N7
Closed. N7 !<N7 MO actor N~ < 1 N~ \^!< already locked! N~ < 2 N~ \^!< can't be locked. J N~ < | : N~ %You%'ll have to close !<
first. N~ k MO actor Nj < ! 1 Nj
Locked. Nj "<Nj Nj -P Nj W MO actor N < * N \^!< not locked! N m MO actor N8 < ! 3 N8
Unlocked. N8 !<N8 N8 -P N8 ?MO actorio N < 1 N \^!< already locked. N < 2 N \^!< can't be locked. N < ! D N & %You% %do%n't need anything to lock !< . J N < | : N %You%'ll have to close !<
first. N MO actorio N < 1 N"
Locked. N# "<N$ ? N& \^! !< n't fit the lock. N' MO actorio N* < - N+ \^!< not locked! U N, < ! C N- ( %You% %do%n't need anything to unlock !< . N. MO actorio NQ1 < 3 NQ3 Unlocked. NQ4 !<NQ5 ? NQ7 \^! !< n't fit the lock. NQ8 M N ; < | ' N < \^!< open. q N ? < 4 N @ \^!< closed and locked. & N B \^!< closed. N C N D MO actor N E 5 MO actor N F There is no answer. MO actor N
G 3 MO actor N:
J < s N:
K P d " " " with Q $ " " " O R HG G G5 * M N e & MO actor N= f < & MO actor Ni g < MO actor N j
G N l %You're% already !< !< ! N m U N n ~ A N p %You%'ll have to drop !< first!N q N r k MO actor Nfu Okay, %you're% now !< !< . Nfv & Nfw u M N z 1 %You're% not going anywhere until %you% get%s% !< !< . N | ! N } Y M N <
MO actor Nm G Nm %You%'ll have to get !< !< first. Nm ) Nm # MO avip N E + E S E T X N %You%'ll have to get !< !<
first. N *N N " MO avdp N E U X N %You%'ll have to get !< !<
first. N *N N S ` get out of MO actor N+ ,
t MO actorprepio NP
E
NP
NP NP . 0 T go out - MO actor N' h < 1 MO actor NZ j
( U ` put n
M MO actorprepio N, - >M
N, . . ! n k 0 i j D V / W 5
| M N < E < > N In < %you% see%s% . N 4 N There's nothing in < . N N MO actor N k MO actordobj N <
<
H N %You% can't fit ! in < . N N N N MO actor N 4/ MO actor N <3N + MO actor N 3 MO actor N& < E < > N& In !< %you% see%s% ! . 0 N& There's nothing in !< . N& X 5 M N " M N < E < > N In < %you% see%s% . N 4 N There's nothing in < . N N m MO
obj N < E < | ; N %You% will have to open !<
first. N A MO actor NM " | NM
Opened. NM MO actor N 4& MO actor N <3 + MO actor N 3 MO actor N < E < > N In !< %you% see%s% ! . 0 N There's nothing in !< . N Y PP P P j MO actor N b < 2 N d \^!< locked. N e N g )N h c MO actor N k < 7 N m \^!< already locked! N n N o MO actor N r < | A N t %You%'ll have to close <
first. N u . N x
Locked. N y " N z N { W MO actor N~ < * N \^!< not locked! N C MO actor N Unlocked. N ! N _ MO actorio N7 < . N7 \^!< already locked. N7 MO actorio N < - N \^!< not locked! T N < ! B N ( %You% %do%n't need anything to unlock !< .N Z 85 5 5Y * MO actor N -P N * MO actor NO -P NO MO actorio N < | Q N %You% can't lock !< when !< open. N N < 1 N
Locked. N " N B N \^! ! n't fit the lock. N MO actorio N < 3 N Unlocked. N ! N B N \^! ! n't fit the lock. N [ 5 MO actor N : MO actordobj N= N= MO actor N} : MO actordobj N N \ d c c c 5 MO actor N # MO actor N= < ] D; ; ; M N !< ,
a number ( M N
the number !< MO actorio > MO actorio N "Tap, tap, tap, tap..." MO actor N 1 MO actordobj N > ^ " M N + "!< " , " M N , "!< " " M N - "!< " MO actorio > MO actorio N . "Tap, tap, tap, tap..." MO actor N+0 MO actor NO3 < 4 NO5 Save failed. NO6 ! NO7 + NO: Saved. NO; " NO< NO= 9 MO actor N@ <NA +NB MO actor N!C 2 MO actor NEF < & NEG 9 MO actor N}J <N}K +N}L MO actor NM Q MO actor NP < NQ Writing script file. NR 9 MO actor N7U <N7V +N7W MO actor NvX ? MO actor N[ Okay, "< ".N\ ` 85 5 5 B MO actorobjseqno N N MO actorprepiobj O _ ret locN}
N}
N}
N} $ $ > N} N} B MO actorobjseqno N N ! 9 O actorprepdobjM N^ <
I MO actorprepio N
N D MO actorprep N
N a ` h b d # # # about c C C C ` dig in P . P 0 d g g g ` jump ( MO actor N% 8 Wheeee! . A 0 e | 9 9 9 ` push. 0 f C C C ` attach ? . ? 0 g | 9 9 9 ` wear. 0 h ` a drop
= MO actorprepio N' N' . ! i j 0 D i ` on j M M M `
take off. ! 0 k D k d " " " from l | 9 9 9 ` open. 0 m | : : : ` close. 0 n ` in o d ! ! ! off p d ! ! ! out q A A A ` plug n . n 0 r | < < < ` look in. 4 0 s J J J ` screw. ! P 0 D t L L L ` unscrew. ! P 0 D u Y Y Y ` turn. 1 ? > 0 P D = L T v | ; ; ; ` switch. ?@ 0 w | 9 9 9 ` flip. 0 x > > > ` a turn on. , 0 y = = = `
turn off. A 0 z \ \ \ ` look 4 MO actor N% "
N% { | ; ; ; ` sit on. 0 | | ; ; ; ` lie on. 0 } | ; ; ; ` get on. 0 ~ d # # # a again b b b a wait : MO actor N% Time passes...\nN% p& & & inventory MO actor N0 ] N0 ` < = N0 c %You% have:\nN0 d N0 e B N0 i %You% %have% . N0 j
N0 k N0 l ) N0 n %You% %are% empty-handed.\nN0 o o o o ` inventory B MO actor N* ! N* > N* o o o ` inventory B MO actor N* " N*
> N* A A A ` look through. 0 | : : : ` break. ! 0 C C C ` attack P . P 0 | : : : ` climb. 0 x 8 8 8 ` eat. 6 0 | : : : ` drink. 0 ` give ?
= MO actorprepio N- 3 N- 4 . ? pq 0 | 9 9 9 ` pull. 0 | 9 9 9 ` read. 5 0 R R R ` throw . !
0 ? D ` at = = = `
stand on. 0 p- - -` stand MO actor N0 R
! D
! , N0 S %You're% already standing! N0 Z " ( N0 [
N0 \ < ( & N0 b
N0 c # N0 g
N0 h N0 i N0 j t t t ` hello K MO actor N& q # Nice weather we've been having.\nN& r ` show ?
= MO actorprepio N- { N- | . ? 0 J J J ` clean. ! P 0 D x 8 8 8 ` say. 0 s s s ` yell K MO actor N% # %Your% throat is a bit sore now. N% Y Y Y ` move. 1 P 0 ? D L T | ; ; ; ` fasten. 0 = = = `
unfasten. 0 K K K ` unplug. ! k 0 D ? ? ? ` look under. 1 0 @ @ @ `
look behind. 2 0 A A A ` type i . i 0 Q Q Q ` lock P . ! P 0 D S S S ` unlock P . ! P 0 D S S S ` k detach. ! k 0 D < a MO actor N k N \ %You% %are% much too anxious worrying about %your% continued survival to fall asleep now. 9N > > % N %You're% not tired. N
D
N q I don't know about you, but I can never sleep standing up. %You% should find a nice comfortable bed somewhere. S N 0 %You% quickly drift%s% off into dreamland...\bN N N sleep | 9 9 9 ` poke. 0 | : : : ` touch. 0 ? ? ? ` move north. # 0 ? ? ? ` move south. $ 0 > > > ` move east. % 0 > > > ` move west. & 0 C C C ` move northeast. ' 0 C C C ` move northwest. ( 0 C C C ` move southeast. ) 0 C C C ` move southwest. * 0 | ; ; ; ` center. 0 | ; ; ; ` search. +3 0 | : : : ` knock. 0 ` a - MO actor N - < go east1 MO actor N[ 0
x( - MO actor N 3 <
go south1 MO actor N\ 6
w( - MO actor N 9 <
go north1 MO actor N\ <
v( - MO actor N ? < go west1 MO actor N[ B
y( - MO actor N E < go northeast1 MO actor N` H
z( - MO actor N K < go northwest1 MO actor N` N
{( - MO actor N Q < go southeast1 MO actor N` T
|( - MO actor N W < go southwest1 MO actor N` Z
}( - MO actor N ] < enter1 MO actor NY a
~( . A 0 i Dn
L TP ` - MO actor N m < go down1 MO actor N[ p
( - MO actor N s < go up1 MO actor NY v
( ? ? ? ` go through. 0 ` a
O O O quit MO actor O % yesnoN5 N5 . \bDo you really want to quit? (YES or NO) > N5 N5 \bN5 * N5 N5 N5 N5 Okay. N5 N5 9 MO actor N <N +N verbosen MO actor N( Okay, now in VERBOSE mode.\nN( " CN( " C
N( 9 MO actor N <N +N terseU MO actor N& Okay, now in TERSE mode.\nN& ! CN& 9 MO actor N <N +N score, MO actor N& N& 9 MO actor NX <NX +NX d$ $ $ saveMO actor O % savefileN5 File to save game in N5 @KN5 N5 @ _ N5 : An error occurred saving the game position to the file. N5 ! N5 + N5 Saved. N5 " N5 N5 N5 Canceled. N5 ! N5 N5 N5
Failed. N5 ! N5 N5 9 MO actor N <N +N . 0 restore%MO actor O ( savefileN8 File to restore game from N8 @K N8 N8 @& N8 N8 Canceled. N8
! N8 N8
N8
Failed. N8 ! N8 u N8 9 MO actor NS <NS +NS . 0 X scriptMO actor O '
scriptfileN7 ! File to write transcript to N7 % @K N7 ' N7 ( @ N7 * d All text will now be saved to the script file. Type UNSCRIPT at any time to discontinue scripting.N7 + { N7 - N7 . Canceled. N7 / P N7 1 N7 2
Failed. N7 3 ' N7 4 N7 5 9 MO actor N8 <N9 +N: . 0
unscriptI MO actor N) A ! N) B Script closed.\nN) C 9 MO actor Nx F <Nx G +Nx H restart=MO actor O ( yesnoN8 P "N8 R 5 Are you sure you want to start over? (YES or NO) > N8 S N8 T W N8 V \nN8 W N8 X > # # N8 Y Y N8 Z A N8 [ , N8 ] \nOkay.\nN8 ^ N8 _ N8 ` N8 a 9 MO actor Nkd <Nke +Nkf version/ MO actor N( m N( n 9 MO actor N] q <N] r +N] s d" " " Delvyn© 2003 v1.0 A TADS Adventure \n Written and Produced by Tillí Productions, Santoonie Corporation,\n \n Developed with TADS, the Text Adventure Development System.\n\b Please type Legal in the cursor location and read Delvyn disclaimer before playing: Credits Legal About
debugo MO actor N& z $ C N& { 7 You can't think this game has any bugs left in it... N& | 9 MO actor N <N +N p/ / / undo MO actor N% % E % b N% (Undoing one command)\bN% " C
N% > > N% 5 N% ) No more undo information is available. N% 9 MO actor N <N +N ` of h % % % between d " " " over d $ $ $ around h % % % through d # # # north d # # # under d $ $ $ behind T ttM N ; \b*** You have died ***\bN < N > R \bYou may restore a saved game, start over, quit, or undo the current command.\nN ? "O respN C 3 \nPlease enter RESTORE, RESTART, QUIT, or UNDO: >N D N E RESTORE N G File to restore N I ! ! N J Restore failed. x N K ! N L Restore failed. F N O " C
N P > > N Q +N R N S fN T RESTART 4 N V N W # N X N Y QUIT 4 N [ N \ N ] +N ^ N _ UNDO N a % l N c (Undoing one command)\bN d " C
N e > > N f +N g 7 N i + Sorry, no undo information is available. N j N k 7N l M N N > N !# N !# N !# N C
N "> N " BN N 0 0 M N I beg your pardon? N \\MO parm O a sN > N > N
> N D
D ^ N O \bYou're feeling a bit drowsy; you should find a comfortable place to sleep. aN D p N a \bYou really should find someplace to sleep soon, or you'll probably pass out from exhaustion. N # N N C
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, m , so you gently slip off into unconsciousness. \b* * * * * \bYou awake some time later, feeling refreshed. N uO itemRem thisItemN) \bYou find yourself unable to stay awake any longer. You pass out, falling to the ground. \b* * * * * \bYou awaken, feeling somewhat the worse for wear. You get up and dust yourself off. N* C N+ c N- N. N/ C
& N0 N1 N2 N 3 N 4 MO parm O e lN A > 7 7N B > 9 N C > 7 N E D D
k N G \ \bYou're feeling a bit peckish. Perhaps it would be a good time to find something to eat. N H D D { N J l \bYou're feeling really hungry. You should find some food soon or you'll pass out from lack of nutrition. N K D # : N L + \bYou can't go much longer without food. N M ( z N P W \bYou simply can't go on any longer without food. You perish from lack of nutrition. N Q N R N S TTM N m \H+N o N q 9 \tPreface\bN v Congratulations! Prepare to embark on a journey as elvyn the Grey Elf in Santoonie Corporation's first IFComp entry. From the creators of Amissville and Isis comes the next great installment of text adventure from Santoonie Corporation .\b N x : \tPrologue\bN Citizens of Newberry, South Carolina, will never forget the day, May 5, 1979. A day in which thousands of curious souls, onlookers, news agencies and world reporters flocked to the small hommlet of Newberry, a town merely a dot on the map. But now, all that has changed ever since the Elf came to town. Who could forget that day, when an orphan Elf with autism emerged from beneath the ground, lost and stranded, stumbling upon a farm house owned by a widower named Lucille. Speaking only Elvish gibberish of Glzzzts and Vzattts, the young Elf would grow into a law abiding citizen, educated and raised by Lucille. The local shop owner recalls, "Every Tuesday, he comes on in, and says in a mighty smile, 'Yall got some more Big Chew?'" .\b N > \tIntroduction\bN Years of stardom has finally passed, school is out for the summer, and there awaits an abondoned house recently discovered, waiting to be explored, but first there's breakfast to be had. Lucille never lets you go adventuring without a full stomach .\b N !# N !# N !# N
N - l l MO fname N N # \b[Restoring saved position...]\bN & N J J J) a M N > B N > N "
iiii.jpg N BedroomN 6 MO actor N N ) N M N > BaN U Summer Day 1\b "Delvynnnnnnnnnnn!"\b ¥ou awake to the familiar sound of Lucille. It is time to get up, and this being Lucille's fifth call, you have timed it perfectly. A lovely aroma graces your presence now, pancakes. N P M O oN gN N ! O N N > g gN ! N N N X H \3\3 \3 \3 on MO
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9 N * %You've% already got %your% hands full. / N <& N Taken. N N | MO actor N ~ : N %You're% not carrying < ! N N < N 4 MO actor N
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@ N < is already on ! N N E N %You% can't put < on !< ! N ; N N < N < N F MO actorio N <& N Done. N MO actor N` : MO actordobj N N MO actorio N ! E
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< D N < < N on ! N N < N 4 MO actorio N < N S MO actor N ! %You% can't plug anything into < . N X MO actorio N( %You% can't plug < into anything. N( J MO actor N" It's not plugged into < . N# n MO actorio N& ! < N' \^!< not plugged into . N( G MO actor NJ + There's nothing in < . NJ , A M N - %You% can't see much through !< .\n U MO actor N 0 # %You% can't see anything through < . N 1 J MO actor N9 4 There's nothing under < . N9 5 MO actor N 6 , MO actor N 9 < N : M MO actor N = I don't know how to read < . N > K MO actor N2 A There's nothing behind < . N2 B Y MO actor N E
Turning !< doesn't have any effect. N F ^ MO actorio N I
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Turning !< doesn't have any effect. NF N G MO actor N Q I don't know how to do that. N R P MO actor N U I don't know how to turn < on. N V Q MO actor NM Y I don't know how to turn < off. NM Z @ MO actor N \ ! %You% see%s% no way to do that. G MO actoriobj N ] ! %You% see%s% no way to do that. I MO actor N7!^ %You% can't use !<
like that. @ MO actor N!` ! %You% see%s% no way to do that. G MO actoriobj N!a ! %You% see%s% no way to do that. I MO actor N"c %You% can't use !<
like that. MO actor Nh"e : MO actordobj N"h N"i t MO actorio N"l Surely, %you% can't think < N"m knows anything about it! N"n MO actor NF#o : MO actordobj Nj#r Nj#s f MO actorio N#v It doesn't look as though !< is interested. N#w MO actor N$z
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! 8 N$ %You% can't leave !< ! N$ N$ MO actor N$ < T N$ %You%'ll have to unfasten !
first. N$ r N$ Okay, %you're% no longer !< !< . N$ <N$ <
& N$ N$ b MO actorio N% Attacking !< doesn't appear productive. N% ` MO actor N6& ) It's not very effective to attack with !< . N6& ] MO actor N& \^!< !< n't appear appetizing. N& ] MO actor N& \^!< !< n't appear appetizing. N& MO actorio Nb' ~ : Nb' %You're% not carrying < . Nb' Nb' < Nb' F MO actorio N' <& N' Done. N' T MO actor N5(
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<& N+ # MO actorio N+ n MO actorio N , ! < N , impressed. N , N , I MO actor Nt, < < impressed. Nt, N MO actor N, < looks a bit cleaner now. N, # MO actorio N- S MO actorio N@- < looks a bit cleaner now. N@- S MO actor N- Moving < doesn't reveal anything. N- X MO actorio N- Moving < doesn't reveal anything. N- H MO actor NP. That doesn't get us anywhere. NP. X MO actorio N. Moving < doesn't reveal anything. N. T MO actor N. < !< n't seem to help. N. MO actorio NV/ ^ You should put what you want typed in double quotes, for example, TYPE "HELLO" ON KEYBOARD. NV/ ] MO actor N/ Touching < $ doesn't seem to have any effect. N/ [ MO actor NJ0 Poking < $ doesn't seem to have any effect. NJ0 MO actor N0 !P MO actor N0! ( You'll have to tell me how to do that.N0" "1 M N # %You% can't seem to do that. ## MO actor N\1$ < " $# MO actor N1% < " %# MO actor N1& < " &# MO actor N1' < " '# MO actor N 2( < " (# MO actor N)2) < " )# MO actor NR2* < " *# MO actor N{2+ < " +M MO actor N2. % %You% find%s% nothing of interest. N2/ ' # M N 4 <
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Corridor A normal corridor now exists in this portion of your travels. The rough cavern walls no longer evident. The corridor travels east to west, east ending at a closed door. P Q 5
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Black oil. , a quantity of oil c MO actor NX t . You can't take the oil without a container. NX u ! NX v S S S5
bow and a quiver of arrowsL M V V A fine example of Elvish work, a bow crafted equally has good as any master bowyer. MO actor N .MO actor N > L N Taken.\b N > & N Your score has increased. N
N " LN N > 4 N You already have the bow. N 1 N Taken. N > & N N N 6 MO actor N 7s MO actor N' K You load an arrow, pull back ever so gently and release...\b Vfoooom!... N' MO actor N 1 MO actordobj N N MO actor N O1 MO actordobj N $$MO parm N # After several agonizing hours of deliberating a way out of this most embarrassing predictament, a sharp noise catches your attention. Instantly a large trap door beneath your feet gives way, tumbling you down, falling to your death. N $ N % N MO parm N 0 \b You deduct that the corn stalks that lie before you are indeed those from Lucille's farm. "Those corn stalks are the property of Lucille," you explain, "It is my duty to slay those responsible for the act. "\b The scientist stirs, responding in agony, "I am not the thief of those whole kernels, you see. I am merely the patron of it's nourishment. I constructed the scarecrow mannequin to retrieve the corn for me, so..in essence, he is your game sir." N 1 " ? ? ? ` climb down. A 0 > > > ` jump over. A 0 @ @ @ `
jump off of. A 0 | : : : ` slide. A 0 ? ? ? ` slide down. !" A 0 | < < < ` jump to. #$ A 0 f f f .
hair 6 6 Your silver grey hair is lengthy with sharp angles. h
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N! [ N! \ P MO otherRoom N h $ %You% can't reach that from here. N i MO v N p " B MO actor N9u < BD > C< N9v < 9 N9x < B N9y < DN9z " BN9{ N9| E MO meActor N [ MO avdpi N <
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obj N < F FN MO actor O" tmplist thisobj i totN < F N N N d N @ N H N < F FN N N I \n\t J M N < I K oMO verbosity O l cur i totN N < JN < N < KN < N N N \ N @ N N LN N N N < IN < 4 N %You% see%s% here. N N
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\nN - M N 8 < N 9 < IN : M N @ < N A ] MO verbosity ND < NE < NF < NH < NI N M N Q < O M N R < P M N S < Q M N T < R M N U < S M N V < T M N W < U M N X < V M N Y < W M N Z < X M N [ < Y M N \ < Z M N e < N [ M N f < O \ M N g < P ] M N h < Q ^ M N i < R _ M N j < S ` M N k < T a M N l < U b M N m < V c M N n < W d M N o < X e M N p < Y 1 M N v %You% can't go that way. ! XXMO) imageName
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N ! N "%N N ^ ^ ^ ` comedy 4 MO actor N' "comedy." N' | 9 9 9 ` rock. '( < x | 9 9 9 ` comb. )* < x < ` stay MO actor N% "I'm stayin'!", you proclaim and Lucille embraces you with joy. Lucille escorts them out, as you peek through the staircase banister. You go up to your room and place your bow back on the nail. Your wounds are many, but you decide to sit down and finish your map of the farm.\b In the coming days you start on your next popsicle stick project, a scarecrow for the garden.\b
The End\b N% N% , ` return MO actor N' You decide it best to go back home where you belong with all of the other elves. You slowly regain your memory of home, your brothers, your sisters, and of course, you parents who begin to hug you repeatedly.\b "Vzztata Grzta Uzt?", your mother asks. The father laughs, "Hzattu Bzattau Fu Frzameaturqr".\b You reply, "Can we stop and get some Big Chew?"\b The End\b N' N' ` Delvyn MO actor N' +$N' "Good name. Say..You seen a baseball around here?" asks Levon.\b You pause for moment, "No, no baseballs," you respond. "Hopin' you would make my life a bit easier.", he shrugs. You try to hide a perplexed look. "Oh, there's a ballpark through these woods here, and my job is to retrieve foul balls." He takes a long drag on his pipe and with a smile continues, "Anyway, it's always an epic quest, and as you can see, I am at rest for the moment."\b He hands you his pipe in a cool gesture. N' >
& N' 7 N' " I don't know the word 'delvyn'. N'
N' x 6 6 6 2 tootles tootles. h h h5 pipe W W An American Indian pipe with colorful motifs. The pipe seems to contain some herbs. G MO actor N 6 HMO actor N 9 ILN = You put the pipe to your lips and inhale. A stiff burn is quickly faded with a delightful taste, shortly accompanied with a tingly sensation in the brain.\b "Good stuff, isn't it?", ask Levon, as you hand him the pipe back. N > !> & N I 6You nod in agreement. "Hey man. Wouldn't it be wierd if things were still being pulled around by horses. Wait! Dogs! That would be wierd. Like, we still advanced enough in our society to create the Cheverlot Impala, but like, it would be pulled by a pack of 30 dogs." Levon begins to laugh at his own remarks. "Yeah, and a motorcycle would have 1 dog." You start to laugh and add, "And planes would have 100 dogs." Levon unleashes a barking laugh, while falling over. He props himself back up, "HAHAhahha, yeah, like...you would be smacking your 30 dogs down the road and suddenly a pack of dogs comes barreling out of the woods across your path pulling a 757 jet, man!...think of the possibilities of accidents." You and Levon spend several more minutes determining dog power ratios for various vehicles. N J E N M 0 You take a hit and are now adequately stoned. N N N O E E E ` round-house kick. ,- < x } } } ` swim U MO actor N% - "Hell no.", You ponder to your conscience. N% | : : : ` punch. ./ < x R R R ` write P . ! P 0123 < x 45 *2 D | : : : ` shoot. 67 < x U U U `
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5 NJ %You're% already on < ! NJ NJ d MO actor N Okay, %you're% now sitting on < . N N / MO actor N < N / MO actor NU < NU 0 0 0` inventory MO actor N0 N0 < G N0 %You% %are% carrying:\nN0 N0 B N0 %You% %have% . N0
N0 N0 ) N0 %You% %are% empty-handed.\nN0 t q q q U MO actorio N ( No response from the lifeless object. N j $ j$ jD # ( MO v N 8 <
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( bath robe % % A white bath robe, long in length. MO actor N] > V N] 1 You are already adorned in interesting attire. N] ! N] N] > V N] ! 1 You are already adorned in interesting attire. N] " ! N] # N] $ > V N] & 1 You are already adorned in interesting attire. N] ' ! N] ( O N] ) > = N] * 1 You are already adorned in interesting attire. N] + ! N] , n n nL
, Han Solo pants, a pair of black pants g g Dark blue, almost black, leather pants with a broken yellow stripe running the length of the sides. MO actor N U > V N W 1 You are already adorned in interesting attire. N X ! N Y N Z > V N \ 1 You are already adorned in interesting attire. N ] ! N ^ N _ > V N a 1 You are already adorned in interesting attire. N b ! N c O N d > = N e 1 You are already adorned in interesting attire. N f ! N g ` L
( red dress 8 8 A red dress with a low shoulder and slit up the back. MO actor Np > V Np 1 You are already adorned in interesting attire. Np ! Np Np > V Np 1 You are already adorned in interesting attire. Np ! Np Np > V Np 1 You are already adorned in interesting attire. Np
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1 Levi Straus Jeans, a pair of jeans ! ! Faded blue jeans made by Levi. MO actor Nx s > V Nx u 1 You are already adorned in interesting attire. Nx v ! Nx w Nx x > V Nx z 1 You are already adorned in interesting attire. Nx { ! Nx | Nx } > V Nx 1 You are already adorned in interesting attire. Nx ! Nx O Nx > = Nx 1 You are already adorned in interesting attire. Nx ! Nx h( ( (L
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overalls, a pair of overalls * * Jean overalls with fancy, fake pockets. MO actor N{ 7 > V N{ 9 1 You are already adorned in interesting attire. N{ : ! N{ ; N{ < > V N{ > 1 You are already adorned in interesting attire. N{ ? ! N{ @ N{ A > V N{ C 1 You are already adorned in interesting attire. N{ D ! N{ E O N{ F > = N{ G 1 You are already adorned in interesting attire. N{ H ! N{ I
` Amissville ]MO actor N+ !A black knight rides up on a black stallion and pulls forth a scroll.\b He speaks, "Hence , thy might envy those spoken words with much depth, that I, A.P. Hill, do solemnly grant upon your wishes a pact of assurance that all who hear those words on this day shall become King. Smite thou taketh thy Kings Robes from the Baron and this day forth, you, Music Maker, will be King." The knight then produces a large red woven material and waves it in the air, dropping it upon your shoulders. He suddenly rides off.\b ***You are now King***. N+ & N+ L The Kings Robes, Robe L L A red garment fashioned with multiple colors, it resembles a Kings Robes. e e e ` yes > MO actor N$ "Yep.", you mutter. N$
` ` ` ` help 8 MO actor N% Hjk6 complete.N% } } }` credits RMO actor N( " items.jpg N( Special thanks: Santoonie Corporation Staff, Tilli LTD & Associates, Rec.Arts.Interactive.Fiction, Michael Roberts for TADS, XYZZY News, Mark Engelberg for TADS Tutorial, and Stephen Grenade for the Brass Lantern.N( Additional appreciation:Amazon.com for it's associates program.\b Final Thanks to the creators of Zork and to those who were responsible for it's free release in 2001, which ultimately rekindled the inspiration of text adventures everywhere. \bN( ` xyzzy [ MO actor N& 3 http://mm.dfilm.com/mm2s/mm_route.php?id=1243287 N& h h h` about ?MO actor N& ' N& " Santoonie logo2.jpg N& About\b From the Authors: "Thank you for playing Delvyn, the TADS Adventure. Delvyn represents the third great installment of interactive fiction from Santoonie Corporation. It was conceived shortly after the release of Isis, the second Santoonie Product and the majority of the Amissville staff return once again to complete Delvyn in 2003."\b Amissville, Return to Amissville 2002\b ISIS 2003\b Delvyn 2003 Works by Tilli, Baron, Lipe, Chico, Patty Judy, Mooch, Satan( no relation, pronounced SHA-tan), and Echoman.\b Executive Producer: Tilli of the Thorns\b Editor, Chief: Baron of the Brook\b Associate Producer: Lipe of the Land\b Technical Advisor: Patty Judy of the Port\b and\b Executive Programmer: A.P. Hill from AOV Services1997\b Lead Writer: Fitz Lee from AOV Services1997\b Santoonie Corporation is: Tilli, CEO and President, Lunsford Lomax, Marketing Director, Judson Kilpatrick, Human Resources, Braxton Bragg, Editorial and Peter Lansford, Production.\b TIPS for Delvyn will be released after a couple weeks of shelf life.\b Enjoy your visit.\b "Santoonie Theme"\bfeaturing A.P. Hill Recorded May 12, 2003 Arrow Studios GA N& d! ! !` legal
MO actor N&
Legal Notices\b TADS ADV.T/STD.T LIBRARY EXTENSION COPYRIGHT NOTICE You may modify and use this file in any way you want, provided that if you redistribute modified copies of this file in source form, the copies must include the original copyright notice (including this paragraph), and must be clearly marked as modified from the original version. Delvyn Version 1.0 STD.T VERSION MODIFIED FROM ITS ORIGINAL VERSION 2003.\b TADS: The Text Adventure Development System - Version 2.2 Copyright 1992, 1998 by Michael J. Roberts. All Rights Reserved.\b Adv.t Version 2.5.5 Copyright 1988-2000 by Michael J. Roberts. All Rights Reserved.\b Std.t Version 2.5.5 Copyright 1989-2000 by Michael J. Roberts. All Rights Reserved.\b Portions of source code derived from training node The Golden Skull - copyright 1987-98 by Michael J. Roberts. Conversion to HTML, extensive commentary, additional material and original graphics and sound copyright 1996-98 by N. K. Guy, tela design.\b Situations and characters are works of fiction. Any resemblance to persons living or dead is coincidental. All artwork and story content is 2003 Tilli LTD. Productions, Inc. All Rights Reserved. Any similarities to persons living or dead is purely coincidental. With the exception of artwork used for review purposes, none of the contents of this publication may be reprinted without the permission of Tilli (tilli@flashmail.com), except for competition or review circumstances. Disclaimer: Delvyn is produced for a mature audience and readers may find some contributions offensive or otherwise disturbing. Parental Guidance is suggested. Story and artwork characters are imaginary; any resemblance to persons living or dead is coincidental. The views and sentiments expressed by the author are purely imaginary. Delvyn the TADS Adventure is a freeware program from Santoonie Corporation, July 5 2003. \b NO WARRANTY Although Santoonie Corporation has tested the program and reviewed the documentation, Santoonie Corporation MAKES NO WARRANTY OR REPRESENTATION OF ANY KIND, EITHER EXPRESS OR IMPLIED, WITH RESPECT TO THE PROGRAM OR DOCUMENTATION. Santoonie Corporaiton, EXCLUDES ANY AND ALL IMPLIED WARRANTIES, INCLUDING WARRANTIES AS TO MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. THIS PROGRAM AND DOCUMENTATION ARE LICENSED "AS IS" AND YOU, THE LICENSEE, ASSUME THE ENTIRE RISK AS TO THEIR QUALITY AND PERFORMANCE. IN NO EVENT WILL Santoonie Corporation, BE LIABLE FOR DIRECT, INDIRECT, SPECIAL, INCIDENTAL, OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM OR DOCUMENTATION, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. IN PARTICULAR, Santoonie Corporation, SHALL HAVE NO LIABILITY FOR ANY DATA OR PROGRAMS STORED OR USED WITH THE PROGRAM, INCLUDING THE COSTS OF RECOVERING SUCH PROGRAMS OR DATA. THE WARRANTY AND REMEDIES SET FORTH ABOVE ARE EXCLUSIVE AND IN LIEU OF ALL OTHERS, ORAL OR WRITTEN, EXPRESS OR IMPLIED. NO Santoonie AUTHOR, AGENT, OR EMPLOYEE IS AUTHORIZED TO MAKE ANY ADDITION OR MODIFICATION TO THIS WARRANTY. Some states/localities do not allow the exclusion of implied warranties or the exclusion of liability for incidental or consequential damages, so the above limitations may not apply to you. \b Delvyn the TADS Adventure is a work of fiction and is to be used as a form of entertainment. None of the authors depiction of events within the story are created with malice intent to any living person, thing or location. N& b b b ` no < MO actor N# ! "Nope.", you say. N# " ` smell MO actor N& * >
@ N& + 1 You smell the aroma of newly created pancakes. ; N& - / You smell the aroma of a newly created fart. N& . D
D Levon, Levon M N x
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F A young man, probably in late teens, early twenties with long hair. 1 N {
% A young man, battered and bruised. N |
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"Sup," Levon responds. N
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h "You decide a stranger is no friend, and commence attacking Levon. He is pummeled by your agression. N
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You approach Levon, "Want to see something neat?" you ask. "Sure", he replies. You lift your leg, then quickly kick Levon in the face. A loud slap to the cheek sends Levon to the ground. Levon begins to groan in agony. N
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You go toward Levon to shake his hand. As he acknowlegdes, you produce a vicious uppercut that sends Levon back three feet. He spins and tumbles in pain. N
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You produce your bow ever so slowly, allowing Levon the opportunity to become frightened. You grimace as you produce a shaft. It's not until you point the arrow directly in Levon's face that he becomes panic stricken. You release the arrow. Levon is dead. N
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1 "Beats me. I don't know nothing about that.". N
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\ _&&* The Baron waits for the Robes to arrive.L The Baron extends his arms out as if he was truly holding the Kings Robes.= The Baron reminds you of the importance of the Kings Robes.4 The Baron sings a song about a King and his robes.8 The Baron demands that you find the robes immediately!`[ M N
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N"Awesome man.", says Levon as you hand him the ball. "You are quite an adventurer dude, I see it. You should hang out with us, man", he remarks. You nod in agreement. Levon and yourself spend some time going over a place to meet later on, while sharing a smoke. "Alright man, I'll check you later". You bid Levon farewell.\b Nw
>& Nw
Your score has increased. Nw
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1 Levon is zoning and doesn't appear interested. Nw
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b MO actor N
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Levon appears perplexed. N
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You do not have the bow. N
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herbs Morsel of vegetation. G MO actor NL W H{MO actor Np \ You put the pipe to your lips and inhale. A stiff burn is quickly faded with a delightful taste, shortly accompanied with a tingly sensation in the brain.\b "Good stuff, isn't it?", ask Levon, as you hand him the pipe back. Np ] !> & Np b UYou nod in agreement. "Hey man. You know what I wish I was?", asks Levon. "What's that?", you respond. "A witch hunter man. Or a vampire hunter. That would be cool. People would be at a company picnic and stuff, sayin'.. 'I work in accounting,'...'I'm in facilities,'... I would say 'I'm a witch hunter.' Wouldn't that be cool?". Np c | : : : ` smoke. GH J x ` fart Z MO actor N% q 2 An excellent choice of action. Fart commenced. N% r d d d ` ok > MO actor N# z "Okay.", you reply. N# { f f f ` okay > MO actor N% "Okay.", you reply. N% E E E I
fixtures
A modest mess. | : : : I mess
Modest. p p p ` gnoockles C MO actor N* "Elvish nuts and bolts." N* | 9 9 9 ` burn. JK @G ) Top of Stairs n n The top of the stairs leads to your room and an adjacent walk in closet. Stairs go down here to the foyer. Q S 'P ( d! ! !2 .
bedroom M N Your bedroom was quite a sight when you first moved in, white plushy velvet linens, ceramic angels and bed pans, curly dolls, and paintings of ladies playing golf near a stream. It took you most of a week to fix to your liking. Now, a modest mess of dark colors and wooden fixtures.\b A desk sits against an adjacent wall where you work on paintings and such. On the other wall above your bed hangs your most precious belongings, a bow and quiver of arrows. N j j j V I
nail 2 2 A small and sturdy nail set deep into the wall. ! z z z 2 arrows
arrows in your quiver % % Handmade arrows of Elvish quality. " W W W 2 W
quiver A bag made from cow hides. # 5
$ map M N % "
dmap.jpg N ' e A map made of popsickle sticks, hand painted in various natural colors, and glued down to a board. N ( $( . V E 8 desk0
| M N + An ornate wooden, rolltop desk (which is !< | open shut ! ), containing a drawer that is !_ | open closed . %l , , , I stairs
&l , , , I stairs
' ' ) Foyer The foyer intersects the kitchen to the north and a spacious living room to the east. The front door is south past a staircase leading upstairs. P 7N 8O 9R ( ) Walk in Closet You enter the closet and stare bewiddled at numerous articles of human clothing. A trunk rests on the floor below various garments hung on hangers. Q ) k k k .
closet 9 9 A walk-in closet is across from your room to the east. *h % % % I hangers +D L
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Nazi helmet 5 5 A World War II circa German helmet, grey in color. MO actor No [ - O No ] * You are already wearing a head garment. No ^ ! No _ No ` . O No b * You are already wearing a head garment. No c ! No d No e / O No g * You are already wearing a head garment. No h ! No i I No j 0 6 No k * You are already wearing a head garment. No l ! No m , ~ ~ ~ / .
( shelf K K A long shelf extends horizontally above a rack of clothes in the closet. -8 L
, stocking cap + + A black tight stocking cap made of wool. MO actor Nf > + O Nf * You are already wearing a head garment. Nf ! Nf Nf > . O Nf * You are already wearing a head garment. Nf ! Nf Nf > / O Nf * You are already wearing a head garment. Nf ! Nf H Nf > 0 6 Nf * You are already wearing a head garment. Nf ! Nf .` L
, straw hat T T A yellow brim hat made of tightly woven straw. A red ribbon encompasses the brim. MO actor N y > - O N { * You are already wearing a head garment. N | ! N } N ~ > + O N * You are already wearing a head garment. N ! N N > / O N * You are already wearing a head garment. N ! N H N > 0 6 N * You are already wearing a head garment. N ! N /\ L
1, an Atlanta Braves cap Atlanta Braves cap , , An old, worn Atlanta Braves baseball cap. MO actor N > - O N * You are already wearing a head garment. N ! N N > . O N * You are already wearing a head garment. N ! N N > + O N * You are already wearing a head garment. N ! N H N > 0 6 N * You are already wearing a head garment. N ! N 0` L
1
Viking helm R R A heavy metal helm adorned with tall, white feathers portruding from each side. MO actor N > - O N * You are already wearing a head garment. N ! N N > . O N * You are already wearing a head garment. N ! N N > / O N * You are already wearing a head garment. N ! N H N > + 6 N * You are already wearing a head garment. N ! N 1 y y y E .
(| trunk > > A sturdy trunk rests under a rack of clothes in the closet. 2k k kL
( boots, a pair of boots * * Cowboy boots with heel, brown in color. MO actor Nu 3 [ Nu 6 Your feet can only accommodate one set of flappers. Nu ! Nu k Nu 4 X Nu 6 Your feet can only accommodate one set of flappers. Nu ! Nu Nu 3p p pL
1 bath slippers, a pair of bath slippers ! ! A pair of pink, bath slippers. MO actor N| > 2 [ N| 6 Your feet can only accommodate one set of flappers. N| ! N| j N| > 4 X N| 6 Your feet can only accommodate one set of flappers. N| ! N| N| 4 L
, high heels, a pair of high heels R R A very elegant pair of gold night sachels. The heel extends some seven inches. MO actor N > 3 [ N 6 Your feet can only accommodate one set of flappers. N ! N j N > 2 X N 6 Your feet can only accommodate one set of flappers. N ! N N 5 L
( shirt & & A plain red T-shirt, short-sleeves. q MO actor NZ 6 B NZ It won't fit over the blouse. NZ ! NZ NZ 6 L
( fluffy blouse 2 2 A white blouse with ruffles and intricate hems. o MO actor Nn > 5 A Nn It won't fit over the shirt. Nn ! Nn Nn 7D )
Living Room This room reaks of antiques. Lucille has constantly told you not to touch. You have studied each antique over time and deem all to be useless, though a painting above a sofa has always intrigued you. Q ' 8 ) Kitchen M N a > 8BN i The aroma of pancakes fills the air. "Good morning Delvyn", greets Lucille.\b You stride in and and seat yourself down at the morning table. A rising sun peeks through the kitchen window. It's going to be a good day you think to yourself. "Important day today isn't it? What do you plan on doing on your first day of summer?", asks Lucille as she turns from the stove with a nice, big, hot plate of pancakes. She smirks at your appearance. N k > N n She is interrupted, "Delvyn. You know you aren't suppose to wear your bow at the table. Please put it on the table until you are done. "\b N o D> & N p > PN q ^ N t & "Your favorite Delvyn, pancakes".\b N u D> & N v > PN w N y "I have something I want you to do for me today, but first eat your breakfast", instructs Lucille as she places a plate in front of you, "Here you go Delvyn". N z N } E I N The aroma of pancakes has left the room. Lucille smokes a cigarette while putting things away. You see a table surrounded by chairs next to the backdoor to the west. N N You rush in to greet Lucille. She is here and she is very delighted to see you. "Delvyn, thank goodness! I was starting to get worried about you." You spend a great deal of time explaining your adventure and finally inform Lucille that the garden menace is no more. Mission accomplished. You notice that Lucille seems a bit sad, suddenly, "Delvyn, we have some guests. There are two (she pauses) elves in the living room who say they are your parents."\b You are in shock.\b "Now Delvyn, You don't have to go. Peek through here and let me know if those people are indeed your parents. If you are afraid Delvyn, you can stay with me, and I'll handle getting them out of here." You peek in the next room...\b N "
parents.jpg N "It's your decision Delvyn, if you want to stay, tell me 'stay', if you want to go home with your parents, tell me 'return'." Lucille grabs both or your arms and kneels down, "What do you want to do Delvyn?". N N N O 'Q F 9 @ @ @ O
'| door ' > : ^ ^ ^ I
7
antiques * * Various oddities unknown to Elvishkind. ; ^ ^ ^ 1 .
7 sofa , , A velvet sofa with a dark, redwood frame. < .
7
painting 1 M N " painting1.jpg N J MO actor Nh K MO actor N You look around and find one of Lucille's matches on the floor, strike it, and burn the painting. Flames engulf the painting's beauty as it smolders to a crisp and goes out. N !><& N 7=& N = 5
painting, # # a painting of Amissville (burnt) 5 M N " " paintingburnt.jpg N # > ) Porch h h A large front porch overlooks the road up to the house. A rocking chair sits nestled near the steps. N ?O A ? @ @ @ O
>| door > ' @ t t t I
> porch C C You find nothing of interest on the porch other than the rocker. Af f f) Dirt Driveway A dirt road weaves through a mess of spotted trees, south to a main road and northeast toward the back of the home. A worn path intersects the road heading east to a small shack. T YOa M N b>` . N !>`& N N N N P {N > B I
> road f f A dirt road runs around the house and out to the main street far off in the distance to the south. CL 0 .
> rocking chair f f A wooden rocking chair with a high, straight back. It is painted white, though chipping in places. ' MO actor N V (@ MO actor N Y Ah, this is the life. N Z D 0 G ' M N H G I
8Q chair & & A chair matching the kitchen table. Eu u u. E scarecrow
lI LM N W 1Upon closer examination, the crudely constructed scarecrow looks like a mess of wood and nails up close, with faded linens, shredded haphazardly between the wood. There are numerous ears of dead corn strewn at the foot of this scarecrow, as if a crow itself had perched itself upon it's arm to feast. N X # MO actorio N Y MO actorio N \ a N ^ R You stand in front of the scarecrow and repeatedly shoot at it. Good practice. , N ` The scarecrow is now damaged. N a
# MO actorio Nz b MO actorio N e q N g b You throw the corn and it sails through the air perfectly, striking the scarecrow in the heart. , N i The scarecrow is now damaged. N j F @ @ @ O
8| door 8 Y G [ [ [ / .
8 table " " A wooden table for six persons. H /
G plate M N J R) N A slate plate. N 7 N " A slate plate full of pancakes. N N IT D Lucille, Lucille M N > I[" 5 N & An old lady, horribly out of shape. 2 N & An old lady, horribly out of shape. N *MO vdpi N 7 N ( "Hello," Lucille responds cheerfully. N G E ` N < \0 N ! "Delvyn, I have things to do!" N
"Sure." N 9 N - "Delvyn, I have things that must be done." N *N ! ] MO actor N " ^ MO actor N & "Delvyn! Are you suppose to use that in the house? I don't think so," shouts Lucille as she snatches the bow from your grimy nuggets. N ' 8> & N ( , MO actor N ) - MO actor N - A friendly boot to the butt normally sends you to quiet time, however, Lucille takes it in stride today, so you kick her repeatedly. N . "I[N / . MO actor N 0 / MO actor N 3 ] Lucille groans after a vicious sucker punch by you. "Delvyn! No more Star Trek for you!". N 4 "I[N 5 6 MO actor N 6 7 MO actor N : "Delvyn! Are you suppose to use that in the house? I don't think so," shouts Lucille as she snatches the bow from your grimy nuggets. N ; 8> & N < # MO actorio N = ZMO actorio N @ f N F "Where did you hear about that? I know nothing and I don't want to discuss it." After a few moments you continue to inquire about the place. "Delvyn, I do have photos of the place, but you must never go there." She brands a few photos from a hidden spot and lays them in front of you. "I've lost too much to those foul woods and do not wish to loose you, you are forbidden from journeying there." N I { "Delvyn, we have no time for chitter chatter, your inner soul beckons you to explore, you must answer the call Delvyn". N J M> M N M < \ N N ! N P ! N Q \ _&&* The Baron waits for the Robes to arrive.L The Baron extends his arms out as if he was truly holding the Kings Robes.= The Baron reminds you of the importance of the Kings Robes.4 The Baron sings a song about a King and his robes.8 The Baron demands that you find the robes immediately!`[ M N ] <
>
5 N _ \bN ` < _ @ N a N b p MO actor N c qMO actordobj N
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l O "Delvyn, your bow making abilities surpass every carpenter I've ever known". N
m : N
p % Lucille doesn't appear interested. N
q N
r b MO actor N s a MO actor N5 v < \5 N5 x Lucille appears perplexed. N5 y q N5 z > . N5 | Lucille ignores you.N5 } 0 N5 You do not have the bow. N5 N5
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pancakes Undescribable. MO actor NH 6MO actor Nl (Your score has increased)\b Lucille sits down and joins you, but with a most serious look, "Delvyn, you know I rarely ask much of you, but today, I need your help. Something has been eating our crops Delvyn. When I say eating, I don't mean nibbles here and there from the squirrels, I'm talkin' whole rows. Delvyn, something big is out there." \b Lucille pulls forth a cigarette case, opens, pulls forth a slender cigarette, and strikes a match upon the table, "I know you know every inch of this farm, and you enjoy adventuring in the woods. Well, I saw large tracks going to old Miller's abondoned house past the lake." \b You pause for a moment and look up again at Lucille, with both cheeks totally stuffed with dough. Words can't penetrate, but your heart races at the mission that lies before you. \b "I want you to go into that house, Delvyn, go into that house and put an end to this nuisance." Nl "JRNl !>J& Nl
Nl K a a a .
8 oven| ) ) Nothing fancy, this old oven is empty. L@ E .
8| refrigeratorS kitchen M N M B N 3 A large refrigerator when open, reveals nothing. J N > A large refrigerator when open, reveals various food items. N M w w w 5 < food, food
LT 3 3 Various chilled meats, undistinquishable though. N [ [ [ < popsicles, popsicles
L A frozen delicacy. O x x x E |
lunchbox
L < < A Marvel superhero lunchbox. This one has Ironman on it. P R R R < apple,
an apple
O A green apple. Q _ _ _ <
sandwich, a sandwich
O A ham sandwich on rye. R e e e < cookie,
a cookie
O # # A large, round chocolate cookie. S N N N < pear, a pear
O A green pear. TX X X. 8 W
8 sink M N = 2 A clean sink, free from fungus or dirty dishes. N > U
3 N ? The !< contains a bottle. N @ kv MO actordobj N C U 4 N D % That won't fit in the compartment. N E )kN F MO actor NF G 1r MO actor Nj J 6 You look under the sink and find a bottle of Vodka. Nj K 8V& Nj L MO actor N M ,OMO actor N P > U
T N R W UU N S F Water pours over the already full bottle and empties into the sink. i N V Water pours into the bottle. N W !WUN X "UVN Y U>W& N Z N [ C N ^ . Water spills into the sink and drains away. N _ N ` UD 5 | T bottle M N > WU` N H The bottle has a white label, "Vodka". It is full of a clear liquid. N K N 6 The bottle has a white label, "Vodka". It is empty. N N VP W | T bottle M N l > WU! ` N n H The bottle has a white label, "Vodka". It is full of a clear liquid. N o K N r 6 The bottle has a white label, "Vodka". It is empty. N s N t W8 5 water
U, a small quantity of waterT crystal clear water. MO actor Nr ] MO actor N Ahh. Refreshing. N !>W& N "WUN X <
V vodka, a minimul supply of vodkaT W MO actor NU / You can't take the vodka without the bottle. NU MO actor N MO actor N s You drink the Vodka, but to your surprise it tastes like water, it ...is water you determine. Hmmm, interesting. N !>X& N !>V& N >U& N Y )
Dirt Circle SSA turn around spot for cars is here. From here you can see an old automobile parked in the garage to the north. A trail sits northwest, running between the garage and a rather tiny storage shed to the west. \b A garden of various crops is southeast and the home's driveway curls around the house back to a main road to the southwest. N iU jQ kV lW AP Z Z @ @ @ O
Y| door Y 8 [ c c c 1 bed
. . A simple bed, with worn sheets and blanket. \x 8 8 8 E .
[ top of bed ] e e e 5 sheets, a mess of sheets
\ Worn, yellow bed linens. ^ ] ] ] L bedroll blanket
\ " " A worn blanket, brown in color. _ . E
drawer| [ M N % A intricate wooden drawer which is !< | open closed . `` W
envelope, _ M N < W) N an envelope, (addressed) N
an envelopeN W |
_ M N < WB N 3 A standard white envelope, addressed to Lucille. ) N A standard white envelope. N
MO actor N2 k MO actordobj NV a NV Z You place the letter inside the envelope, seal it, and begin to address it to Lucille. NV >a& NV ! | NV " WNV NV NV % MO actoriobj N? MO actoriobj Nj b n Nj 6 You place the envelope carefully into the mailbox. Nj " XNj b<& Nj ! Nj # Nj $ a} } }5 ; parchmentY , a single sheet of parchment
_ M N 0 < Y" . N 1 A single sheet of parchment. O N 3 ! A single sheet of parchment. "!< ", is written on it. N 4 @b MO actor N 7 : You'll have to explain how you will attempt to do that. N 8 2 MO actoriobj Nh ; c O Nh = : You'll have to explain how you will attempt to do that. Nh > Nh ? > MO actoriobj N B c O N D : You'll have to explain how you will attempt to do that. N E N F b . W mailbox|
M N *
M A metal box typical of most mail boxes, adorned with a number '331'. It is !< | open closed . c B B B 5 quillZ
$ AM N Y > cZ N [ A thin, black wooden quill. It is a more modern device and missing the sophisticated feather adornment. It is primed with black ink. N ^ ~ A thin, black wooden quill. It is a more modern device and missing the sophisticated feather adornment. It is not primed. N _ B MO actor N{ ` D MO actoriobj N c e 1 N e
Dipped. N f " ZN g = N j ( You utterly failed to dip the device. N k N l C MO actordobj NG o e 1 NG q
Dipped. NG r " ZNG s = NG v ( You utterly failed to dip the device. NG w NG x 0g MO actor N { ~ 6 N } ! You're not carrying the quill! N ~ N 2 MO actoriobj N\ < Z` N\ c # N\ success. N\ N\ failure. N\ N\ A N\ The quill does not have ink. N\ ! N\ N\ 1MO actordobj N4 < ZN4 a O 4 paperNameNn $ What would you like to write with !< ? Nn Nn C 0 Nn a Nn "aYNn Q N4 < The ink doesn't adhere to the surface you are writing on. N4 N4 A N4 The quill does not have ink. N4 ! N4 N4 <g MO actor N ~ 6 N ! You're not carrying the quill! N N >MO actoriobj N- < ZN- a O - paperNameNg $ What would you like to write with !< ? Ng Ng C 0 Ng a Ng "aYNg Q N- < The ink doesn't adhere to the surface you are writing on. N- N- A N- The quill does not have ink. N- ! N- N- =MO actordobj N < ZN a O paperNameN $ What would you like to write with !< ? N N C 0 N a N "aYN Q N < The ink doesn't adhere to the surface you are writing on. N N A N The quill does not have ink. N ! N N d r r r 0 " . $ M N K <
stool A small round stool. eC
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C5 ink| , an ink( container )
$ E E A small bottle of black liquid. It is marked as Ink, Sharpie Inc. MO actor N k MO actordobj N c \ N 3 You successfully prime the quill with black ink. N "cZN N Unsuccessful. N B MO actor Np C MO actordobj N c \ N 3 You successfully prime the quill with black ink. N "cZN N Unsuccessful. N f| < < < 2 Amissville Amissville. g 2 h| < < < g Amissville Amissville. i ) Garage A two-car garage with a dirt floor encompasses a car sitting on four flat tires. You notice the garage has no door and simply sits open to the elements. O Y j ) Trail A foot trail winds down a slope past the garage into a field of wheat. A crossroads intersects to the northwest and the home is back southeast. V YU k ) Storage Shed K K You enter a small shack full of rusted car parts, and old farming tools. P Y l4 ) Garden You reach a large garden stretching beyond the perimeter of the home, extending southeast to a small shack.\b A scarecrow stands in the center, arms outstretched in the morning sun. U YV { m w w w I
Y spot G G You find nothing of interest, only various tire tracks, age unknown. n .
i garage j j A wooden garage painted white, with a hint of red trim. It is the two-car variety, but without a door. o Z Z Z I
Y trail ) ) A beaten path extends into the fields. p Z Z Z I
j trail ) ) A beaten path extends into the fields. q a a a I
j slope 0 0 You find nothing interesting about the slope. r r r r I
j wheat A A Miles of wheat blowing in the wind. You feel ackwardly alone. s U U U J
j home % % The home is back the way you came. t I
j crossroads S S From this distance, you can only make out that it is indeed a crossing of paths. uD .
i car b b This car is in need of serious repair. A dusty black Model T manufactured by the Ford Company. c MO actor N dG MO actor N Okay, you're now in the car. N v = = = .
i tires All flat. w . 8 0
i| hood n M N 9 A large hood stretching the front of the car (which is !< | open shut ). x " . w
i engine, an engine F F Very dirty, even rusted in places. Does it work? Highly unlikely. y . / 0
i workbench C C A belt-high workbench that contains various size bolts and nuts. z 5
y bolts and nuts, ' ' a quantity of assorted nuts and bolts N N Nuts and bolts of various sizes and shapes. Resemble the Elvish gnoockles. {L ) Servants Quarters A small cottage sits entrenched in overgrown weeds and shrubs here. Shattered windows give a peak to a dark, empty room inside. A doorway without a door enters the quarters to the east. Q AU lP | E .
l garden The garden is fairly large composed of mostly corn, cabbage, and peppers. Several rows of corn close to the scarecrow have been violently uprooted. The stalks missing. } <
| cabbage u u A greenish plant used as food. You briefly recall this item being used as toilet paper for the upper class Elves. ~ <
| peppers, a red pepper
red peppers . . A red plant knowingly potent to the senses. <
| peppers, a green pepper green peppers % % A green plant with a unique taste. I dead corn
l n n The numerous ears of dead corn have been devoured by birds and rodents, as well as perhaps some nasty ants. L scarecrow linens, scarecrow linens
E fM N u > N w The linens around the scarecrow's body is a tithered, red, plaid farmer's shirt, that is extremely faded. It has a very robust odor of mildew. N { The linens around your body are tithered. It consists of a red, plaid farmer's shirt which is extrememly faded. It has a very robust odor of mildew. N | i i i I nails
E 8 8 The rusted nails are not valuable during these times. e e e I wood
E 5 5 The wood from the scarecrow is rotted and useless. K K K I creatures
l You do not see any. ) Main Road l l A paved road reaches as far as the eye can see in both east and west directions. You see a mailbox here. N AP M N
n "An autistic elf wondering the highways of lonely truck drivers would not be the most pleasant of endings." N
! N
Q M N
o "An austistic elf wondering the highways of lonely truck drivers would not be the most pleasant of endings." N
! N
x 8 8 8 I
A path Worn. ] ] ] I
A road - - A few tire tracks and footprints of a fox. | | | I
A trees K K Several tall trees with high branches, a particular Elm looks climbable. .
A
Elm tree 8 8 The tree here has low branches and appears climbable. MO actor No ' O actorM N > T )
Up Elm Tree You have climbed a tree all the way to the top as far as you can go. The view here is splendid. To the east you see a garden in the woods. To the north you see a lake. There is markings inscribed in the tree here. S A Q Q Q ; .
markings The marking reads "O.C." Z Z Z I
> house ) ) It looks like an ordinary house to me. I
A shack From this distance, it's hard to determine it's content. Closer inspection is necessary. All that you can determine is that it was red at one time, now corroded and worn. I
{ cottage W W A red cottage with several gaping windows and rotted walls. The roof near collapse. t 2 2 2 I
{ architecture \ .
{ window ) ) The windows loss their glass long ago. C C You look through the window and see a lonely room, nothing more. d d d I
{ shrubs 2 2 A mess of grasses choking the life of the dead. . E mailbox| M N 2
M A metal box typical of most mail boxes, adorned with a number '331'. It is !< | open closed . t3 3 3) Servants Quarters, Inside Lucille spoke of this place often in her suppertime stories. Her best friend lived here and she never had the heart to tear it down. A dark room greets you. You can adequately see that this place is empty thanks to your infravision. Q { ) Crossroads X X Two paths split at this point heading northeast, northwest, southeast and southwest. V jW T U ) Trail, Dead End V V You reach a dead end in the trail. A large oak tree looms here, with low branches. T ) Dark Trail M N ? > BPN S 8You stop short of the entrance to a forboding path with a pause. The path's entrance is a towering hole into the unknown. You've mapped every inch of the farm to this point. You hear footsteps behind you. \b "Go ahead.", says a soft voice, the scarecrow from the field walks up to you briskly, his burlap face with black buttons startles you. "Don't be afraid, Delvyn, I am the guardian of this gate." he explains. "What you are looking for Delvyn, has gone in there.".\b The scarecrow seems to read your mind as your brain tries to reason what stands before you, "I will let you in Delvyn, because I believe that you are quite capable of returning safely. I know this because I have been watching you." You can only manage a "hum..", before his claw like hands reassures your direction into the unknown, "I can't go with you Delvyn, this is as far as I can go. I will not be able to help you Delvyn, like that time in the lake, you are on your own now."\b Fear starts to develop in you as you stare into the vaccuum of his eyes. "I will wait for you, Delvyn...as I have been doing for quite some time" At that instant, and with a friendly smile, the scarecrow closes a 'door' of tall trees, the limbs choking you and finally shutting out all light from the sun. Your infravision kicks in showing the path heading east. N T V N W A You stand at entranceway to a dark forboding home to the east. N X N Y W M N \ > EI N ^ N _ O N b - A solid line of trees now blocks your way. N c ! N d N e P < ) Miller's Pond The trail ends at a small pond known as 'Miller's Pond', at least, that's what Lucille calls it. You've stayed away from this place ever since you fell in and nearly drowned some time ago. V . \ pond
& & A small pond, mirky green in color. * * You cannot see through the mirky water. ) Trail, Dead End gM N > B N > IyN " P"Find anything interesting?" A voice startles you. You turn to see a young man, sitting against a tree. He tips his hat up, "Won't find anything around these parts, except some fine herbs.", he laughs smoking on a long pipe.\b You approach the fellow cautiously, "Who are you?", you inquisite.\b "Names Levon. What's your name?" N # " +N $ j N ( U You are at a dead end of a trail. A large oak tree looms here, with low branches. N ) N * G N - 2 Levon is sitting beneath a tree smoking a pipe. N . N / T Z Z Z . Levon 1 1 A lifeless Levon lies sprawled upon the earth. K K K 5
baseball A baseball with red threads. .
oak tree 8 8 The tree here has low branches and appears climbable. MO actor No ' O actorM N > )
Up oak tree c c You have climbed the tree as far as you can go. There are markings inscribed in the tree here. S Z Z Z ; .
markings $ $ The marking reads "J.P. was here" ) Miller House An eerie pathway in darkness ends at the front steps of an old three-story home. A rickety staircase leads up to a front door, that is hanging of it's hinges. Glassless windows gleer at your intrusion. QM N > ePN A scarecrow watches your approach from the depths of the earth. You walk calmly down the dark path toward him.\b He opens the gate with a smile, "Ah Delvyn. You return just as I predicted. You are indeed a great warrior Delvyn.".\b He pulls out a stick sharpened at both ends from behind his back, "I am sorry Delvyn, but I imagine you understand now why I must do this." The scarecrow's treachery was no surprise to you as you prepare for battle.\b The sun as started to set upon you as you circle the scarecrow. With a sudden frenzy, the scarecrow leaps upon you, stabbing wickedly with the stick. You fend off repeated attacks, but in amazement and without time to counter, the scarecrow gets a choke hold on you as you fall to the ground. It takes both of your hands to try and break free, but the scarecrow is relentless. "Aahhah, Delvyn, you are no match for me." You start to feel the real pain and try to muster a final burst of inner strength. But just as suddenly, you hear a loud pop and look up to see a baseball bounce off the scarecrow's head. His grip loosens and gradually his head begins to swirl. In an instant he falls to the ground with a thud and shatters into pieces!\b N (Your score has increased).\b N
N "EIN >& N >& N N N N N R P l l l . scarecrow ? ? The scarecrow has shattered into broken pieces. He is dead. .
k shed This storage space is very cramped. The shed is made of rotted wood, painted red many years ago. Cobwebs are abundant, as well as a moldy odor. O O O I
k cobwebs Numerous spider villages. ? ? ? 5 spider Ah ha! A spider!. z z z I
k rusted car parts > > Various unusable car parts lie haphazardly around the shed. I
k old farming tools I I Various unusable farming tools accompany dirty car parts in this shed. p- - -) Miller House Foyer You enter this room wide-eyed scanning vigorously about. This entry is a small 10' square room with torn drywall, exposing wooden braces. Stairs lead up and three hallways branch north, east, and south. R N P O S 0 ) Behind the Miller House You walk around the side of the house until you reach the back. No visible entryways or windows line this side of the house, but you do find a small window on the back. Q \ \ .
windows | | As with most biuldings in this area, the sheer age of this place as taken it's toll on the windows. No glass to be seen. d d You see barren rooms inside with debris scattered to and fro, no immediate indications of danger. I
staircase q q The staircase appears to be solid enough for your weight. You find nothing of interest on or below the steps. g g g I
door 7 7 The door lost a hinge, it hangs precariously on one. d d d I
home 4 4 An eerie sight due to it's old age and seclusion. P \ .
window 0 0 A window, the glass broken out some time ago. MO actor Ng MO actor N E You climb up on the oil tank and hoist yourself into the window.\b N > N 8 ) Kitchen This musty kitchen has not seen the light of day. More grotesque is the biuld up of mildew and fungus. You see a typical counter, sink and large ice box. Q P
\ .
window 0 0 A window, the glass broken out some time ago. MO actor Ng MO actor N
D You climb up on the counter and hoist yourself into the window.\b N > N S S S E . sink
! ! The sink is covered in mildew. E E E <
T fish A dead fish. I
counter ` ` There is a layer of dust and mildew on the counter space. There is nothing upon the counter. U U U I
mildew # # Looks like typical mildew to me. ~ ~ ~ I
dust N N Looks like rare dust to me, no wait, upon further inspection, it's typical. U U U I
fungus # # Looks like typical fungus to me. < E .
| icebox A very old container to keep items chilled. There is a large hole where ice is stored. The ice chest is currently empty. A large door with an iron handle adorns the front of the icebox. A A A W .
hole It is empty. <
T
fox head d d A fox head that has been butchered from it's body. Dried blood and cartilages corrode the head. . E
oil tank,
an oil tank g g A large iron tank suspended on four iron legs. The tank is round and contains a valve on one side. k k k. @
- valve ' ' A metal valve that appears turnable. MO actor Nc = MO actor N < -Y N 4 The valve is already turned to the 'on' position. N ! N ^ N $ You turn it on, oil spills forth. N >
> & N " -N N C C C) Miller house, upstairs You arrive in one big room extending the length of the entire upper level. A torn mattress lies against a window and graffitti is evident on all walls. The room is suprisingly empty considering it's size, except for a mound of wood-like debris. S R ) Study You have reached a square room with visibly empty shelves. The general layout reminds you of your school library and you deduct the place to be a study room of some kind. O ) Den M N ;
> e N >
s You arrive in a spacious room, the circular platform now represents the floor. You see the foyer to the north. N ?
N D
You arrive in a spacious room but stop short of investigating due to the fairly large 'hole' in the middle of the room. A pit of some kind, circular in shape is dug straight through the floor here. N E
N F
N S^ M N J
6 You will have to explain how you intend to do that. N K
! N L
H I staircase
A wooden railed staircase made of solid oak extends to an upstairs area from the foyer. You find nothing of interest on or around the staircase. I drywall
s s The drywall is very old evident by the peeling and broken segments. Nothing of interests lies within the walls. I braces
x x Wooden braces support the home, layed out in two foot intervals. Nothing of interest is between the exposed braces. ) Attic h h A large attic is here. Your infravision shows that it is empty except for a backpack in the corner. S W
| (
backpack Z Z A small black backpack with only one compartment. It has straps to secure on the back. E E E 1
mattress Torn and worn. I ;
graffitti H H 'Ferment #10 at 330' is all you can make out, the rest is unreadable. . :
debris y y A pile of wood, closely resembling pieces of a bed and perhaps a night table lay collected in the center of this room. \ .
window ' ' A small window open to the elements. y y You see the front steps below, you also gaze across the fields and into the woods, but see no sign of anyone or thing. ~ ~ ~ .
ceiling K K Examining the ceiling. Your keen eyesight reveals a trapdoor above you. .
trapdoor Y Y Ah, the door has a small rope attached. You pull on the rope and a ladder comes down. l * * * .
rope .
ladder MO actor N/
1 MO actor NS
> NS
" 5 | book b b A very worn book with a red cover. A title "Lundan's Guide to Bomb Shelters" graces the front. MO actor N
5MO actor N
You skim through the book and develop a sense of it's meaning. It precisely discusses direct techniques for protecting oneself from 'the bomb'. It continously refers to Russians. There are elaborate pictures of underground fortresses. N !
/ .
shelves, shelf shelf + + The shelf is dusty and contains nothing. O c c c .
platform
/ / The platform is now locked, and won't budge. P .
pit The pit spans some ten feet in diameter and goes straight down into the earth. The wood floor is cut through in rough patterns exposing dirt and roots. The hole descends into darkness as far as your infravision can see. l * * * I
dirt .
root Upon closer examination, most of the roots are small, but one medium size root jettisons out from the ground about a foot down and descends into the darkness. MO actor N n
WMO actor N t
You kneel down and test out the root. It seems sturdy enough, so you descend rather quickly. Some ten feet down the root starts to extend further from the earth and you use your feet now to help stir your descent. Your feet walk the sides of the chasm as you descend gracefully. N u
> N v
MO actor NU w
WMO actor Ny }
You kneel down and test out the root. It seems sturdy enough, so you descend rather quickly. Some ten feet down the root starts to extend further from the earth and you use your feet now to help stir your descent. Your feet walk the sides of the chasm as you descend gracefully. Ny ~
> Ny
) A landing. The root ends at a patch of earth that sticks out about four feet. The root goes back into the earth at this point and further travel into the depths seems questionable. @ 2 landing
A platform. MO actor NJ
MO actor Nn
Never one to worry of the perils of acrobatics, you do a fancy handstand, then do a back somersault down to the landing below. Nn
> Nn
# MO actor N0
$ MO actor NT
n Never one to worry of the perils of acrobatics, you do a fancy handstand, then do a back somersault down to NT
> NT
.
pit j j You peer down further into the darkness and pleasantly spot another landing only about eight feet down. % MO actordobj N
MO actordobj N
N
n Never one to worry of the perils of acrobatics, you do a fancy handstand, then do a back somersault down to N
> N
N
! N
) another landing.\b This ledge of earth is made of clay. As you steady yourself and peer over the side once again, another ledge is perhaps ten or so feet below. 0 2 landing
A platform. MO actor NJ
MO actor Nn
n An aerial cartwheel would seem possible. You flex the arch of your back and perform a dazzling jump to the Nn
> Nn
# MO actor N
$ MO actor NA
n An aerial cartwheel would seem possible. You flex the arch of your back and perform a dazzling jump to the NA
> NA
p0 0 0) next landing.\b Finally, you can see the bottom of this massive chasm. To your surprise, a hardwood floor, perhaps made of tile, lies below. From this vantage point, it appears to be an empty room below. Another drop of ten feet or so would put you in the center. x7 7 72 landing
A platform. MO actor NJ
MO actor Nn
(Your score has increased)\b A simple drop below lands you sqaurely on all fours, you stand to study your surrounding in this Nn
> Nn
Nn
# MO actor NB
$ MO actor Nf
(Your score has increased)\b A simple drop below lands you sqaurely on all fours, you stand to study your surrounding in this Nf
> Nf
Nf
@ @ @) Circular room.\b : : Now you can see a set of double doors on the west wall. R M N
Climbing back up without means is not possible, suddenly you feel a bit of despair. Would you be able to eat pancakes again? The horror of the thought. N
! N
Q @ )
Square room You enter the double doors which open before you touch them oddly enough, and arrive in a small square room. A panel on the wall next to the door contains two buttons, red and blue respectively. P L
5 bones, some bones
M N fi N Z A heap of bones riddle the center of the room, a skull peering up at you with a twinge. = N 1 A heap of bones riddle the center of the room. N
5 skull
A human skull. MO actor NK b MO actor No Taken. No " No <& No "fNo K
, button red buttonU MO actor NA , You begin to descend.\b NA - > NA . )
Square Room l l The doors open automatically and show a hallway heading east. A panel in this room contains two buttons. P K
, button
blue button; MO actor NB 8 Nothing happens. NB 9 x x x I
panel G G Two buttons, a blue one above a red one, are centered on this panel. d! ! !) Hallway A hallway quickly gives way to a cavern passageway. The ceiling becomes very tall here, rising out into the darkness beyond your infravision. It is cold and damp now, and the ground is full of sand, disguising any footprints. P Q K
, button red button; MO actor NA Q Nothing happens. NA R K
, button
blue buttonT MO actor NB \ You begin to ascend.\b NB ] > NB ^ )
Elevator Q Q You deduct this room to be an elevator, something you learned about in school. P K
, button red buttonU MO actor NA n You begin to descend.\b NA o > NA p K
, button
blue button; MO actor NB z Nothing happens. NB { x x x I
panel G G Two buttons, a blue one above a red one, are centered on this panel. ) Passageway The walls are only ten feet apart on either side of this passageway as you continue ahead, but the ceiling remains out of sight. The passageway continues east or west. Q P M N N R M N e You find a spike in the wall here and see that it forms a ladder going up. You begin the climb.\b N N V V V I
ceiling # # The ceiling is far out of sight. B B B I
sand Very fine sand. l) ) ).
spike b b Very peculiar, a lone spike, hammered into the northern wall about twelve inches off the floor. MO actor N f MO actor N > There is another spike above, a ladder going up in essence. N W W W) Passageway The passageway arrives at a pit. The pit spans some twenty feet across where the passageway continues. There is a ladder on the other side, attached to the wall, climbing up out of view. P\ M N 4 Crossing the pit on talent alone is not possible. N ! N Q ) Spikes _ _ Spikes protruding from the wall here, slope down to a hallway and up to a walkway of spikes. R S = = = 5 footprints A footprint. d d d .
walls 3 3 You find a spike hammered in the left wall here. , .
pit The pit spans to each side of the wall and is some twenty feet square. It seems to have been dug with a tool, evident by the sheer sides. It drops into darkness, it's height unknown. H ) Hallway k k The hallway here continues east or west over a pit. A ladder is on this side reaching up into darkness. Q[ M N 3 Crossing the pit without means, is not possible. N ! N P R ) Hallway P P The cavern hall continues east or west. Further to the east you see a chasm. Q P ) Top of the ladder [ [ You have reached the top of a ladder which looks down to a hallway some fifty feet down. Q S , .
pit The pit spans to each side of the wall and is some twenty feet square. It seems to have been dug with a tool, evident by the sheer sides. It drops into darkness, it's height unknown. | | | .
ladder J J Appears to be an iron ladder, which has been bolted on the cavern wall. | | | .
ladder J J Appears to be an iron ladder, which has been bolted on the cavern wall. w w w) Chasm LLThe hallway ends at a platform overlooking a large underground chasm. A landing is on the other side. You peer down to the depths below, but do not see the hint of land, it's depth quite astonishing. The ceiling also well out of view. You make out the chasm to be some 500 feet to either side with not a trace of crossing. P M N Q >
V N S / You cross the bridge over the great chasm.\b N T N U x N X : Mutually assurred destruction. You fall to the depths. N Y "
grim.jpg N Z N [ N \ Q H ) Walkway of spikes A series of spikes sticking out of the cavern wall only four to five inches produces a 'walkway' heading east and west here. The spikes gradually turn downhill in the direction heading west. P Q .
spikes An iron spike is potruding out of the wall adjacent to the ladder. Now you see another one, and another one forming a 'walkway' of spikes heading west. l + + + .
spike l + + + .
spike I I I . chasm
A jaw dropping depth. h h h . chasm
7 7 It's too hard to see the details of what lies ahead. z z z . bridge P P A slim metal bridge extending the width of a great chasm. It is retractable. ) Hallway A hallway continues east here. A bridge has expanded to the west to allow easy access back. Also a panel is affixed next to the exit east. P Q .
landing The landing is the end of a hallway on the other side. The hallway continues east into the unknown. A small panel is next to the hallway entrance. @ @ @ .
landing
A landing. b b b.
panel p p The panel is very hard to make out from this distance, but it is square and perhaps has one or more buttons. 6 MO actor N u 7MO actor N x > 2N ~ You aim your bow and release an elegant shot at the panel.\b A precise hit!\b Suddenly, a groaning noise can be heard from across the chasm, and you see a mechanical bridge starting to extend toward you. In moments, a fully intact bridge crosses the gorge. N >
>& N 6 N ! You haven't anything to shoot. N N .
panel } } A panel protruding from the wall here, next to the landing. It has a red button in the center, with an arrow stuck in it. K
button A red button. MO actor NE 8 MO actor Ni It is broken. Ni T ) Chamber uuThe hallway leads to a large chamber with a very odd floor. The floor dips drastically down, like a 'U', climbing back up on the other side. The slope must be some fifteen feet high on each side. The distance to the other side is triple the length of your extraordinary jumps.\b There is nothing else of interest in this area, other than an exit to the east and west. Pl M N D You will have to explain how you intend to get to the other side. N ! N n n n .
bridge < < A slim metal bridge extending the width of a great chasm. H .
panel M N gc N K A panel with an arrow sticking out of it. The panel is now unoperative. N Q N < A panel with a hole in it. The panel is now unoperative. N N L 5
arrow arrow in the panel Your fine arrow. MO actor Na MO actor N 9 You pull out your arrow and place back in your quiver. N !>& N " gN .
hole Your arrow made an impressive mark on this panel. It created a small hole some 5 centimeters in diameter. You estimate by the size of the hole, that impact was somewhere around 35 lbs of force per square inch. If you had a camera, you could take a picture for further research in a lab environment. Part-time technicians would need to be acquired though, and you make little allowance for such endeavors. X
. / slope
? ? The slope is very smooth and polished. It is made of stone. MO actor Nu MO actor N
k N @ You slide down the 'U' shaped room again to the other side.\b N > N FN > N r The oil creates a slick pathway in which you slide down and quickly propels you up to the other side with ease. N > N N c You slide down the slope and stop halfway up the other side, before tumbling back to the bottom. N !
# N N N ! MO actor N "MO actor N >
k N @ You slide down the 'U' shaped room again to the other side.\b N > N HN > N t The oil creates a slick pathway in which you slide down and quickly propels you up to the other side with ease.\b N > N N c You slide down the slope and stop halfway up the other side, before tumbling back to the bottom. N !
# N N N MO actor N ! d MO actor N $ / There is no suitable hold in which to climb. N % ! N &
" 5 4 box,
a metal box ; ; A small 'hand-held' metal box with a small black button. @ @ @ O
| door x x x .
corridor D D The corridor travels east to west. It's surface made from stone.
l + + + .
stone ) Chamber of Mannequins M N [ > h)N ` You have entered a square space stuffed with standing mannequins, all in poses of movement. A slim corridor snakes it's way east through the figures in the center of the room toward a north/south corridor. Along the walls are eleven alcoves which appear to be empty. N a N d > | N g You have entered a square space. Along the walls are eleven alcoves which appear to be empty. Odd, the mannequins are no longer here. N l You have entered a square space stuffed with standing mannequins, all in poses of movement. A slim corridor snakes it's way east through the figures in the center of the room toward a north/south corridor. Along the walls are eleven alcoves which appear to be empty. N m N n P1 M N q " hN r N s Q @ @ @ O
| door l + + + I stone
) Hallway, intersection 7 7 An intersection which travels north, south and west. Q N O x, , ,) Laboratory A MO actor N+ !
# N+ ) N+ ZM N > BN You enter a room which is undeniably a laboratory. Beyond the spectacular amount of laboratory apparatuses, two more predominant features catch your eye, rows and rows of corn stalks and a scientist peering into a microscope. N !0\N , N A simple laboratory. N N OW M N > | N N N 1 N N ) Treasure Room I I You have come to a vault where lies a chest in the center of the room. N I
corridor T T There is no real corridor, only the visible passage through a maze of mannequins. .
alcove the red alcove @ @ An empty alcove with a name plate reading, 'Holly Hallstrom'. .
alcove the blue alcove < < An empty alcove with a name plate reading, 'Hans Belmer'. .
alcove the yellow alcove < < An empty alcove with a name plate reading, 'Robert Shaw'. .
alcove the orange alcove = = An empty alcove with a name plate reading, 'Barry Newman'. .
alcove the purple alcove = = An empty alcove with a name plate reading, 'Jeff Brodnax'. .
alcove the brown alcove = = An empty alcove with a name plate reading, 'Kathryn Moye'. .
alcove the black alcove ; ; An empty alcove with a name plate reading, 'Tom Watson'. .
alcove the white alcove 8 8 An empty alcove with a name plate reading, 'Kelanen'. .
alcove the green alcove > > An empty alcove with a name plate reading, 'David Pearson'. .
alcove the cyan alcove ? ? An empty alcove with a name plate reading, 'Thomas Tessier'. .
alcove the grey alcove : : An empty alcove with a name plate reading, 'Scarecrow'. ! y y y .
plates G G All of the alcove name plates are made of metal and are fixed items. "| < < < . mannequins mannequins. #L .
mannequin the female K K A beautiful women with reddish hair clad in a soultry blue bathing suit. 6 MO actor N 7P MO actor N ( Shooting the mannequin has no effect. N $8 .
mannequin the artist 6 6 A man clad in white robes, wearing a painter's cap. 6 MO actor N 7P MO actor N ( Shooting the mannequin has no effect. N %4 .
mannequin the fisherman / / An exact replica of Robert Shaw from 'Jaws'. 6 MO actor N| 7P MO actor N ( Shooting the mannequin has no effect. N &4 .
mannequin the curly head man * * A simple man with no distinct features. 6 MO actor N| ( 7P MO actor N + ( Shooting the mannequin has no effect. N , 'H .
mannequin the black man D D An African American man, shirtless, whispering into a microphone. 6 MO actor N 6 7P MO actor N 9 ( Shooting the mannequin has no effect. N : ($ .
mannequin the guitarist A female holding a guitar. 6 MO actor Nj D 7P MO actor N G ( Shooting the mannequin has no effect. N H ) .
mannequin the golfer A man wielding a 3-iron. 6 MO actor Ne R 7P MO actor N U ( Shooting the mannequin has no effect. N V *$ .
mannequin the swordsman A man wielding two swords. 6 MO actor Nj ` 7P MO actor N c ( Shooting the mannequin has no effect. N d +0 .
mannequin the racer 0 0 A man adorned in a 'Purolator' racing outfit. 6 MO actor Ny n 7P MO actor N q ( Shooting the mannequin has no effect. N r , .
mannequin the suited man A man in a black suit. 6 MO actor Ng | 7P MO actor N ( Shooting the mannequin has no effect. N . o o o .
vault > > Don't get too excited, Vault is just another name for room. / [ [ [ .
room + + There is nothing unusual about the room. 0@ D Scientist, Scientist I M N > 0[" ; N , A scientist, dressed in a white lab coat. A N 5 A scientist, dressed in a blood stained, lab coat. N MO vdpi N = N . "Hello," the scientist responds cheerfully. TN G E N < \< N - "Sorry, but I must have the King's Robes." N "I have not seen the sun for many years," the scientist says. "Let us embark on an epic journey to the above, I will follow you little one." N N ? N 3 "There is no earthly way I can accomplish that." N
*N # MO actorio N ?MO actorio N RN > M#N The scientist cannot be trusted. You release the arrow, and drop the scientist to the floor, his hands holding the arrow protruding from his chest.\b N "0IN Your score has increased. N 2 N !>0& N >
>4& N N ! You pull forth an arrow from your quiver and point it directly in the scientist's face, as he quickly counters, "Sir! If you kill me, then the scarecrow, to which is under my supreme control, will be free. Free to scourge the earth." N " ! MN # N $ N % 1 N & % You splash oil upon the scientist. N ' 0 & N ( "Dammit Man! Stop!". 3 N * ' You debate another shot momentarily. N + " [N , , MO actor N/ - - MO actor NS 1 The scientist cautiously moves around you, when you suddenly kick! A direct hit to the groin area sends the scientist to the floor without pause. NS 2 "0[NS 3 . MO actor N' 4 / MO actor NK 8 The scientist seems cautious of your intentions, and justly so, as you pull up a fist and deliver a shocking blow to the head. He reels back and falls to the floor. NK 9 "0[NK : 6 MO actor N2 ; 7eMO actor NV > > M#NV B The scientist cannot be trusted. You release the arrow, and drop the scientist to the floor, his hands holding the arrow protruding from his chest.\b NV C "0INV D Your score has increased. NV E 2 NV F !>0& NV G >
>4& NV H NV N You pull forth an arrow from your quiver and point it directly in the scientist's face, as he quickly counters, "Sir! If you kill me, then the scarecrow, to which is under my supreme control, will be free. Free to scourge the earth." NV O ! MNV P NV Q # MO actorio N
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U f V N
V G "I know of the place. I order my wines from the Grey Ghost Winery." N
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X " "My food supply, nothing more." N
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^ d"I hope that you did not let them out, please tell me that you closed that door you entered. If you did not, green sir, then we have a most delicate situation on our hands. If you have let those mannequins free, then we are surely doomed as they will most definately block our exit and slay us. The world as we know it would be in serious jeopardy. - N
` ! "I know nothing of the sort.". N
a M M N d < \V N e G A scientist peers into a microscope humming a tune from the Hollies. F N g : The scientist has started to eat a small slice of corn. N h \ _&&* The Baron waits for the Robes to arrive.L The Baron extends his arms out as if he was truly holding the Kings Robes.= The Baron reminds you of the importance of the Kings Robes.4 The Baron sings a song about a King and his robes.8 The Baron demands that you find the robes immediately!`[ M N t <
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<& N N ! N N p MO actor N q MO actordobj N # N <aN N g N O "Delvyn, your bow making abilities surpass every carpenter I've ever known". N @ N + The scientist doesn't appear interested. N N b MO actor N a MO actor N < \; N # The scientist appears perplexed. N w N > 4 N The scientist ignores you.N 0 N You do not have the bow. N N
10
) asdf M N > 0I~N BYou spend several moments putting together all the clues from this adventure and deduct the following:\b A mad scientist biult a bomb shelter many years ago and fortified it with tricks and traps, one being an army of killing mannequins. Having expired his food, he turned to one of the mannequins, a scarecrow to enter the world above and harvest food for him. The scarecrow however, has turned on his master and can only be free to devour mankind if his master lies ten feet under. You have been a pawn in this battle. You decide to head back to the mannequin room and in doing so, discover it is empty, the door to the west ajar. It looks as though you will have to fight this one out.\b 8 hours Later\b Your travels within the lower depths of the bomb shelter was met with battles in every room. The mannequins were relentless in pursuit of you. Your bow saved the day, and now you stand on the outside of the place, tired and wounded. There is one last battle to be fought. The dark path to the scarecrow is toward the setting sun to the west.\b N " eN > N +N You spend several moments putting together all the clues from this adventure and deduct the following:\b A mad scientist biult a bomb shelter many years ago and fortified it with tricks and traps, one being an army of killing mannequins. Having expired his food, he turned to one of the mannequins, a scarecrow to enter the world above and harvest food for him. The scarecrow however, has turned on his master and can only be free to devour mankind if his master lies ten feet under. You have been a pawn in this battle. You decide to head back to the mannequin room and in doing so, discover it is empty, the door to the west ajar. It looks as though you will have to fight this one out.\b 8 hours Later\b Your travels within the lower depths of the bomb shelter was met with battles in every room. The mannequins were relentless in pursuit of you. Your bow saved the day, and now you stand on the outside of the place, tired and wounded. Your follower, the scientist was not as lucky. He was killed while sliding down the slope room. A mannequin set your oil ablaze as he slid down. His loss a gruesome sight. There is one last battle to be fought. The dark path to the scarecrow is toward the setting sun to the west.\b N
" eN > N N
2 .
stalks ~ ~ You have no doubt that these corn stalks are those belonging to Lucille. They are piled in rows upon the laboratory floor. 3 I
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button 8 8 A small button the size of a dime that can be pushed. MO actor Nm YMO actor N
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